The Virtuoso by Grace Burrowes

The Virtuoso by Grace Burrowes
Published: 11/1/2011
A GENIUS WITH A TERRIBLE LOSS... Gifted pianist Valentine Windham, youngest son of the Duke of Moreland, has little interest in his father's obsession to see his sons married, and instead pours passion into his music. But when Val loses his music, he flees to the country, alone and tormented by what has been robbed from him. A WIDOW WITH A HEARTBREAKING SECRET... Grieving Ellen Markham has hidden herself away, looking for safety in solitude.…

Note: All of my GB reviews not only talk about the book but the way the book fits into the universe Burrowes built because so many of her characters flit back and forth. So I will be talking a lot about other books and the universe as a whole.


You know you’ve got an intricately connected universe when even the author doesn’t really know which order things happen in. The Virtuoso takes place before Jack in the universe, but it also takes place during Darius and after Nicholas. I knew that second part, but I had forgotten just how close to the end of Darius this particular book is set. So I reshuffled the list to be a bit more accurate, and will be going back to read Darius & Nicholas next. I’m not mad about this — it’s actually kind of fun to read this universe like it’s a puzzle. When I was reading Jack, a Lady Val showed up at the wedding and I remember thinking — wait, did Val and Ellen already get married?

I read The Virtuoso when it was released, but I wasn’t quite a Grace Burrowes fan yet. I didn’t reread either The Heir or The Soldier and none of the Lonely Lords series that feature Valentine had been released yet so I remember sympathizing with Valentine in this book, but honestly, you really need to be steeped in this character and have read all the previous times he’s shown up because when I finally got to Valentine in this book, I was so much more invested in him. Ellen also makes a brief cameo in an earlier book, David, in which she is close friends with Letty’s vicar brother, Daniel. He is not mentioned in this book, but has obviously quit the area.

Valentine Windham is introduced briefly to us in Douglas with the rest of the Windhams, but we get to know him in David when he becomes a confidante to both David and Letty. He shows up in a few other books, but it’s in David, The Heir, and The Soldier that we get our best look at him prior to this book. He’s a musical genius who depends on his extraordinary ability to play the piano to communicate. At the opening of this book, he is told by David that he might not be able to play the piano anymore due to an injury to his hand.

The opening line is David’s declaration, but it really doesn’t pack the same punch if you haven’t read the earlier books in the Windham series when it’s clear that playing the piano is how Valentine has managed to function given the devastating loss of two of his brothers, one right after another. Feeling trapped in town by this idea he can’t play piano, he decamps to Oxfordshire and an estate he’s won from the Baron of Roxbury, Freddie Markham. He takes with him Darius Lindsey, a hero of a later book and connected to several other characters we’ll read about at some point.

On the estate he finds Ellen FitzEngle, a widow with whom he shared an encounter with when he was doing David a favor. She’s briefly mentioned a few times in subsequent books, but this is the first time we get her name from Valentine. Ellen is the widow of the late Baron Roxbury, and Valentine finds her situation to be strange — why did her husband not provide better for her? Why is she tucked away in a tiny cottage?

Ellen offers some guidance and company while Valentine works to restore the estate, and they fall in love but she’s got secrets that might explain why someone is trying to destroy the house he’s rebuilding.

I adore this book. It really shows off the complicated and intricate universe Grace Burrowes has built, and you can always tell the books she’s already written from the deeply rich characters that return. Darius shows up just enough here to make one interested in his story (which I’m not looking forward to because it’s my least favorite trope in the history of romance), but Devlin also drops in as does Westhaven, Nick Haddonfield, and the Belmonts. Ironically, we see and hear more from Axel Belmont’s son, Dayton and Philip, than we did in either of the Belmont brothers’ books. Jack shows up as the magistrate, so we get to see him rebounding after the events in Axel. It’s got a great supporting cast.

The mystery is really fun too — the who is never in doubt, but the why remains a mystery throughout and it’s quite tragic. You might feel like Ellen is a martyr at points, but she’s a woman who is entirely alone in a world that does not treat women well. Her fear is palpable and completely understandable. I really love both of these leads and am completely invested in their own personal journeys as well their romance.


One of my favorite things about the Duke’s Obsession books is the way Grace Burrowes interweaves the grief the family is suffering after the death of Bart and Victor. Devlin went to war to protect Bart, Valentine played music to comfort Victor, and Westhaven tried valiantly to protect them all. The three remaining brothers are mired in their own kinds of grief throughout their stories, complicated by their own personal problems. I’ll talk more about this when I get to the series reviews, but the close-knit nature of these five brothers is very well-done.

I’ve noticed Grace Burrowes has softened the Duke of Moreland a lot since his initial appearance in Douglas, but even here, Valentine is wary of his father and any possible hint Val is interested in a woman who might sire legitimate children still strikes fear in his heart after the nonsense Moreland put Gwen and Westhaven through. He keeps his family ties a secret from Ellen until nearly the end of the book.

I appreciated the end of the book where Valentine and Moreland come to an understanding about Moreland’s approval of his music. I’m not sure I buy that Moreland was an asshole about the piano playing because he couldn’t help — there was a lot of allusion in earlier books that Moreland thought Val liked men and was too feminine. That’s not entirely in line with this idea that Moreland puts through in this book, but Grace Burrowes is obviously trying to reset the patriarch and set up the five books about the daughters, so I guess we’ll let it slide.

But I liked the way Val reexamines himself and finds a life outside of his music. He was clearly depressed after the death of his brothers, and he needed to learn his value extended beyond the music he played. There’s a scene with Devlin near the end of the book that brought tears to my eyes as Devlin makes it clear just how much he loves his little brother.

5.0Overall Score

The Virtuoso

Note: All of my GB reviews not only talk about the book but the way the book fits into the universe Burrowes built because so many of her characters flit back and forth. So I will be talking a ...

  • Plot
  • Characters
  • Romance

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