The Duke Who Didn’t by Courtney Milan (Wedgeford Trials #1)

I received this book as an ARC in exchange for an honest review.

Overall Impressions

It’s been a while since Courtney Milan’s last full-length historical novel (After the Wedding, 2018) and as a devoted follower on Twitter, I know that the last few years have been difficult for her because people are terrible and stupid. You might expect her first book to be a fluffy, delightful farce that distracts us all from the dumpster fire of 2020.

You’d be right.

You’d also be terribly wrong.

Somehow, this book manages to walk a very fine balance between being brilliantly charming, fluffy, delightful, and funny while making the reality of characters so heartbreakingly real and devastating that I found myself tearing up at several parts of this book. I don’t understand how some authors do this — how I can go from laughing like a maniac to reminding myself that the characters aren’t real and everything is okay.

That is the Milan brand, and it’s something I’ve been familiar with since I picked up Proof of Seduction on a whim in 2010. That book is good — startlingly good — but it was the second book, Trial by Desire, with her depiction of a hero struggling to overcome depression that put her at the top of all my lists and she’s never faltered.

The Duke Who Didn’t is the story of Miss Chloe Fong who loves to make lists and Jeremy, the Duke of Lansing who owns the entire village where Chloe lives — a fact he has never told Chloe or anyone else in Wedgeford. He tried to kiss her one day, and she told him that he needed to be serious. He left, and it’s been three years since she’s seen him. He’s back — and wants her help to make a list of her qualities so he can get married.

Chloe is Chinese, living in a village filled with people who might not be stereotypically British (read: white) and Jeremy is the half-Chinese, half-British duke who has struggled to fit into British society. Asking Chloe to marry him means asking her to live in his world — a world he’s not even sure he belongs in.

Chloe had me the minute she started talking about making her lists in Chapter 1. The concept of making a list of what could be done if life went absolutely perfectly, then judging herself as a failure because perfection was impossible — if that’s not my life, I don’t know what it is. I make lists for everything. I love to check things off. I also know the pain of making a list that never gets finished and an inability to set realistic goals because people are depending on me and I need to finish things when they need to be done — not when it’s convenient for my sanity.

I love Chloe Fong.

The first time we meet Jeremy, we see his charm from Chloe’s POV, and then we switch to his thoughts.  That is the smartest thing Courtney Milan could have done. If we had listened to that first conversation entirely from Chloe’s POV, Jeremy might seem too charming. Too irreverent. But reading his dialogue along with his inner thoughts — you know that there’s more. There’s real substance and as his story unfolds throughout the novel, I really started to wonder if he had a point — could he and Chloe be happy? In Britain? To make me wonder, even for a minute, how the ending could be a HEA is a feat that most authors can’t manage. Courtney Milan always does.

This is a deceptively charming book that will make you smile, laugh, think, cry, and then when you’re done—you’ll want to read it again because there’s a twist at the end of the book that will make you wonder — does it actually work? Does the author play fair with us?

And yes. It completely works, and it makes that second read-through all the more better because now you’re all in on the secret — except for one of the characters. And it’s fricking delightful.

This is a great book with a gorgeous romance, three-dimensional characters, and a world that feels so real that I’m legit mad that I can’t go to Wedgeford, taste the Wedgeford Brown sauce, and play in the Trials. I can’t wait to see where Courtney Milan takes this series next.

Spoilers Beware!

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The Pursuits of Lord Kit Cavanaugh by Stephanie Laurens

Overall

I missed this when it originally came out and didn’t hurry to read it, probably because I hadn’t totally loved the first book in this trilogy, The Designs of Lord Randolph Cavanaugh. It was fine, but nothing that made me look forward to the stories of Rand’s younger brother and sister. The Cavanaughs are the younger half-siblings of Ryder Cavanaugh, the hero from The Taming of Ryder Cavanaugh who married Mary Cynster. Their mother was Lavinia, the villain of Taming, so that makes this series slightly more interesting. After all, Lavinia was truly terrible but raised these kids. What would it be like to have such an utter sociopath as one’s mother?

Designs didn’t really address that and neither does Pursuits. I haven’t reread Taming in a few years (it’s on my list when I do the Cynsters next year) so I don’t remember much other than the big stuff. So I was a bit disappointed to see that thread wasn’t really pursued (ha) here. That being said, this is a sweet read that deviates a bit (in a good way) from the formula that I’ve come to expect from Stephanie Laurens.

When I think of Laurens’ books, I don’t think of characters or the romances. I generally return to her writing because I love her mysteries and her plots. She has a basic approach: her heroes are alpha males who pursue the heroines who generally need to be convinced to marry them. Her female leads are always strong-willed, intelligent, and a good match for the heroes. One of my favorite things about the majority of her romances is that hero values the heroine for that intelligence and they often work together side by side to solve the plot. Her Bastion Club was tour de force of these kinds of romances (save the terrible prequel, Captain Jack’s Woman, and the stalker in To Distraction).

This book isn’t quite the same. There’s more focus on the romance, actually, as our lead characters navigate a series of smaller mysteries as they get to know one another better. Lord Christopher “Kit” Cavanaugh is the second of Lavinia’s three sons and has come to Bristol to begin a yacht-building company. His new warehouse lease displaces a charity school run by vicar’s daughter Silvia Buckleberry, the maid of honor at his brother’s wedding. Silvia has a low opinion of Kit at first, but when he helps her relocate the school and goes on to sponsor it, she sees a different side of him.

Laurens also writes a lot of sex scenes in her books — I don’t generally review this stuff because it’s not really what I go to romance for so I end up skipping some of the scenes. But generally her leads have a lot of sex. Pursuits doesn’t have a kiss between her leads for almost two hundred pages, and then the single sex scene is in the epilogue. Instead of lust, Kit and Silvia work together to save the school, find out who’s sabotaging his business, and then who’s following her around Bristol. Silvia is a vicar’s daughter, and Kit respects that. I was surprised by how much I liked that approach. Kit and Silvia weren’t very interesting character on their own, but their romance was sweet and they worked well together. When he finally kisses her, it feels a lot more earned.

The mysteries themselves aren’t super engrossing, but they’re fun to read and follow. There are bits of this book that are a bit overwritten, but that’s part of Laurens’s style so I tend to discount that. This is a sweet book that is a bit outside her norm, and I really liked that.

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The Duke I Once Knew (Olivia Drake)

Overall

This is one of the books that you like while you’re reading it, but that you can’t entirely remember all that much a week or so later. In fact, I was trying to remember the lead characters’ names and I simply couldn’t. It’s been like two weeks since I read this and I had to flip through it to remember the details.

I mean, I liked this book. I always like these stories where the leads fell in love as teenagers and are separated by circumstances to find each other as adults. This is probably my second favorite trope after marriage of convenience. I liked Max and Abby and most of the supporting characters — I definitely hope this isn’t the last we’ve seen of Max’s sister and Abby’s cousin.

I’m not entirely sure why this book isn’t going to stay with me. I guess maybe I’m just tired of daddy issues being the only thing that drives male protagonists. Max is a horrible rake who doesn’t ever come home to see his sister because of his father? Eh. It’s just over done.

I’ll probably reread this book, but only because I like rereading books that I don’t remember that well. They always feel new again 😛

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Bella and the Beast (Olivia Drake)

Overall

Of all the books in this series, this is the one that closely aligns to a specific fairy tale and features references from the Disney 1992 movie, down to being forbidden to go into the west wing. That 1992 movie is one of my favorite movies of all time so I was already predisposed to like this story.

The characters and the romance make up for a little bit of a lukewarm plot. I love the heroine–Bella is incredibly self-sufficient and her own person. I liked Miles a lot — there are few things I did not love him about him, but they’re more about the plot. I liked the way they worked together, I liked watching them get to know one another.  They just worked.

I think my main problem with the plot of the story is that there are a few extraneous characters who don’t serve a purpose and the murder of Miles’ father happened more than two decades before the book opens, so it feels a little dusty as a motivation. When you find out who the villain is, it’s hard to believe it could have stayed hidden for so long.

But all the pieces line up and I like the romance so much that this is one of my personal favorites to reread.

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Abducted by the Prince (Olivia Drake)

Overall

Objectively, this is not a stellar book. It’s fine and everything works for the most part, but there’s nothing here that should blow me away or that’s special. Yet, for some reason, I love rereading the second half of this book from time to time. I don’t know. I can’t explain it.

Ellie is a spinster poor relation who has spent her whole life tending to her younger cousins because of her gambling father. Damien is an illegitimate gambling club owner who has a childhood connection to Ellie’s cousin, Walter, who stole something that relates to Damien’s murky past. To get it back, Damien decides to kidnap Beatrice, Walter’s cousin, but ends up with Ellie. They don’t know that until they’re up in an isolated Scottish island.

There are a lot of readers, particularly these days, that would be turned off by the kidnapping trope. It’s not really a deal breaker for me–it usually depends on the context and the way it’s written. It’s not great, but it’s not as bad as others I’ve read.

The romance is actually pretty good — I buy the slow build and the reasons these two come together, their bumps in the road. I like both the characters, but I think the overall plot is pretty weak and the supporting characters are cardboard and one-dimensional.

I think it’s a good book that’s worth reading once, maybe twice. With a tighter plot and better supporting cast, it would have been much better.

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Stroke of Midnight (Olivia Drake)

Overall

There’s something about this book that I just don’t connect with. All of the elements should be there, but something is missing — I think it’s in the characters and the romance after a certain point. This is one of the books that does the setup just right but misses the dismount.

Laura Faulkner returns after ten years abroad–she and her father were once the toast of the ton but forced to flee when he was accused of stealing one of the most valuable diamonds from a leading hostess. Until then, Laura had been courted by Alex, the Earl of Copley. It was Alex that found a set of earrings and publicly accused her father. Laura cut his cheek, scarring him, as she and her father left. She returns after her father is killed in London, and wants to clear his name. Through Lady Milford, Laura becomes the companion to Alex’s aunt and that’s how they run into each other.

I think maybe I wanted more from Alex and from the romance after the middle of the book. Alex is supposed to have a tragic backstory, but I never quite felt that. I like this book, but it just left me meh and I usually skip over it when I reread the series.

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If the Slipper Fits (Olivia Drake)

Overall

I really like this book, and it serves as a really good introduction to the series (which lasts another five books).  I think it was my first Olivia Drake book and I’ve been relatively happy with her all along.

There’s a bit of a fairy tale element with this series and with this book specifically. Annabelle is an illegitimate orphan left to rot in a boarding school where she now teaches.  She’s given a position as a governess to an orphaned duke by a slightly mysterious benefactor, Lady Milford, who also gives her a pair of elegant shoes. It’s the shoes and Lady Milford that ties all six books together rather than the characters. She’s sent to Cornwall where the duke, Nicholas, is living with his guardian, his uncle Simon. It’s very much a Cinderella story.

I really like Annabelle and Simon for the first 80% of the book. Simon is a bit of a bitter soul–Nicholas’s mother was a woman Simon had courted but married George, the duke. He didn’t speak to his brother again before George and his wife died. He went into the army, had plans for his life–but now he’s guardian to a little boy that he resents.

And Simon is unlikeable for the first third of the book. He really resents his nephew. I applaud Olivia Drake for actually writing a guardian who doesn’t like his ward rather than paying lip service.  It gives Annabelle something to do when she shows up.

My main problem is that Simon’s POV disappears in the last part of the book, leading up to the climax. He does an about face that we don’t get to see, only experience when Annabelle does. I expect my main leads to do equal heavy lifting in my romance novels, and Simon’s epiphany happens off screen. There are a couple of things that happen this way towards the end. The background plot with attempted killing and whatnot — it happens in a bit of a hurry, and I think that’s why it feels rushed at the end.

It’s an overall satisfying read, but if Simon had just showed up at the end of the book, it could have been one of my top favorites.

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Worth Any Price (Lisa Kleypas)

Overall Response

This is one of my favorite books because it has one of my favorite romance tropes: the characters are already married. I’m always dumbfounded by people who complain about this type of storyline — apparently it takes some of the fun out of it for them. You’re reading romance, a genre in which the HEA is guaranteed (or I demand my money back). The journey is what makes the book worthwhile.

Anyway, Nick Gentry returns from a bit of an uneven appearance in Lady Sophia’s Lover. I didn’t entirely love him but I’m thinking maybe Lisa Kleypas hadn’t quite figured how ruthless she wanted him to be so I can forgive it. It’s three years later, and Nick has turned into one of Bow Street’s best runners and commands the respect of even Sir Grant Morgan (Someone to Watch Over Me‘s hero). He takes a private commission to locate the runaway fiancée of Lord Radnor, Charlotte (Lottie) Howard who is hiding out with Lord Westcliff as a companion for the Dowager Countess. Nick convinces her to marry him to free her from Lord Radnor’s really creepy clutches because her family won’t help. And that’s all in the first 50 pages.

The book is about their marriage and how Nick adjusts to the changes presented to him once he’s married. Sir Ross Cannon (Lady Sophia’s Lover) has petitioned for Nick to take up his title and birth name of Lord John Sydney, and Grant tells him that the runners are likely to be disbanded within some months. Lottie also has to contend with the creepy Radnor and her ridiculous family.

So the characters and the romance are amazing. I go back to this book often because I really like Lottie and Nick and the way Kleypas brings in a supporting cast of old and new characters. This is actually the first time we meet Lord Westcliff (which explains a huge issue I have, which we’ll talk about in spoilers) but because I’ve read the entire Lisa Kleypas universe, he feels like an old friend here. I love seeing Ross and Sophia, though I’m surprised by how little we ever get to see Victoria, Grant’s wife. She makes maybe two cameos, one in each book.

I thought Nick’s back story presented some interesting obstacles for his marriage to Lottie and her resilience and naturally upbeat nature provide him a foundation to deal with the demons of his past and I like how Nick grows over the book and where he ends up at the end. Lottie’s best stuff happens in the first half of the book–this is really Nick’s journey.

The plot is probably where this book falls apart. It’s almost dual plot — and Nick’s part holds up relatively well. His acceptance and reluctant embrace of his birthright feels real, and I happy with where it ends up.

It’s Lottie’s half of the plot that is crazy pants. Her family seems relatively one dimensional–her parents are basically selfish people who don’t really get any kind of comeuppance and the resolution to the Radnor plot feels like maybe Kleypas built herself up to something she didn’t know how to stop. It just kind of ends.

But this is a really good book with a good romance and does a good job ending the trilogy.

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Lady Sophia’s Lover (Lisa Kleypas)

Overall

I was so excited to get to this book–it’s always been one of my favorite romance novels because it takes place over a longer period of time. A lot of novels, particularly in the last decade or so, tend to take place over a couple of weeks but rarely span longer than a month, maybe two. This novel is probably at least six months, if not more, and it really allows the romance and characters to develop.

The plot is a bit of a misdirect–Sophia’s desire for revenge is really more of an inciting incident and it doesn’t take her long to start rethinking her opinion of Ross and the actual plot kind of meanders a bit. That’s not a bad thing because if Sophia stuck to her original plan I feel like that would have caused the story to drag.

The characters are great — Ross was a good supporting character in Someone to Watch Over Me, and he remains solid here. He’s a principled man of honor and it’s fascinating to watch him apply his own vision of justice. Sophia is a great lead — I like that she does revise her opinion and plows her own path, even if she’s occasionally quick to jump to conclusions.

The romance is good and develops well. I like that Ross never seems to shy away from his feelings for Sophia but I could have done without her former lover or Ross’s brother. I know they were there to provide a contrast to Ross, but it did get annoying having Sophia blackmailed and propositioned at ever turn.

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Someone to Watch Over Me (Lisa Kleypas)

Overall

I have to admit that I was nervous when I put this series on my summer reading list because while I’ve read the other two books in this trilogy several times, I can only remember rereading this book maybe twice since the first time I read it in 2004. It didn’t stick with me as well as the rest of the series.

I’m happy to say that while I still like the other two books better, this is by no means a weak story. The aspects about the plot that I was worried about — Grant’s so-called revenge — was actually handled better than I had remembered. While the romance is a bit more superficial than I typically like, it’s still pretty good.

I actually liked the journey Lisa Kleypas took Grant on — he’s a very hard character in the beginning and “Vivienne” does kind of force him to re-examine himself. Given his origin story, I can understand why he is the way he is, but I guess maybe I wish he’d been punished a bit longer.

The plot is fine — it’s a standard mystery but it’s never really the focus. It’s always about Grant and his confusion that Vivienne isn’t acting the way he’d expected her, too.

Still, this is a good introduction to one of my favorite trilogies — I love Bow Street Runners, and Sir Ross’s book is ridiculously good (at least I remember it being good). While this book doesn’t have the depth in the plot, characters, or romance that the rest of the series does, this is a good book. I really like Grant and “Vivienne” and was happy for them to get their happy ending.

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