The Heir by Grace Burrowes

Overall

The Heir was my first Grace Burrowes book and it remains one of my favorites, I think, because I’ve always been able to closely identify with the hero, Gayle Windham, better known as Westhaven. He carries the weight of his entire family on his shoulders and feels the obligations and duty of being the eldest child, the one that has to deal with eccentricities of his parents and play mediator in his family. It’s literally my life.

Reading it its proper place in the universe deepens my appreciation for the supporting cast, as I hoped it would, and now reading over a set of scenes in the middle of the book when Westhaven recuperates from an illness at the estate of Douglas and Gwen Allen (Douglas), I can remember being kind of bored and a little frustrated. Those scenes are filled with backstory and callbacks. I wondered why these people I hadn’t met before would care so much about Westhaven but after having read Douglas, it’s easier to understand that they’re showing up more for Gwen because of how the duke treated her then.

The Heir tells the story of Westhaven maybe a year or so after the events of Douglas. In that book, Westhaven agreed to propose to Gwen in order to wrest control of the ducal finances from his father. Here, we see him bearing up under that pressure and doing what he can to protect himself and his last living legitimate brother from the machinations of their father, Percy Windham, Duke of Moreland, who appears to stop at nothing in his quest to marry off Westhaven and secure the next generation. Westhaven has a new housekeeper who is not only taking care of his house but making it a home. Anna Seaton is a housekeeper with secrets and a soft heart, as well as generous well of empathy and clearly a deep desire to find a home where she can finally be safe.

The housekeeper and her employer is a familiar and well-worn romantic trope that I like less and less every time I read it. Maybe because I’m more well-versed on the power dynamics that makes that kind of relationship not great in real life. But I can make it work in my head as long as there’s a sense of equality between the two leads as people. Anna might work for Westhaven, but she’s not particularly cowed by his title or his family’s place in society.

This is my favorite of the Windham novels, and my favorite Burrowes book overall. There are a few minor issues that bug me more every time I read it, but nothing that really stops me from enjoying the book. I like the comfort and security that Westhaven and Anna share when they’re at his townhouse or anywhere else alone together.

I think this book benefits a great deal from following those that set up this story. Having met Victor in Douglas and understood a measure of the grief that befell the Windhams with his death and the death of Bart, the original heir, it does become easier to empathize with them, even the duke to a certain extent. Valentine played a large supporting role in David, and it was nice to see him back here again, still struggling with the loss of his brothers and the expectations of his family.

Without the benefit of books like David and Douglas, and even Andrew (to set up his appearance here), this book’s supporting cast suffers because that depth and nuance are missing for me. I felt that when I read the book the first time in 2010. If you read this book on its own, it’s still fine. The romance and plot are interesting and the cast are fine.

But so much is opened up when reading it in order that I can’t recommend reading it without the bare minimum of reading Douglas first. That wasn’t an option when The Heir was originally published, but it is now.

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Axel by Grace Burrowes

A Note

The order in which I’m reading this universe comes directly from the FAQ section of Grace Burrowes’ website, which puts all four of the Jaded Gentlemen entries directly after the events of David. However, it appears as though the events in The Heir and The Soldier have taken place during the time period in which Matthew and Axel take place. So I’m actually going to step back from her official order and read the first two books in the Duke’s Obsession series next.

Overall

I liked this book but I think I liked it a little less than the two previous books in the series. The murder mystery is interesting until it’s not. The characters of Axel and Abigail are sweet, but not particularly interesting. The romance is well done, but since I’m not really all that interested in the characters, it has a little less resonance. This is largely a personal objection, and I’m sure other readers are going to like this book better than I did. Everything one loves about Grace Burrowes is here — the writing style, the characterization, etc. — it’s just not all that interesting to me.

The supporting characters are here, obviously ones we’ve already met in their own books or those that are going to be leads later. Nick Haddonfield shows up again, and while I still like him, I’m less convinced by his presence and friendship with Axel and Abigail than I was with David Worthington showing up in the first five books. I wonder if I would be more annoyed if I hadn’t read his book already and I know exactly why he’s stalling returning to London. He finally does so after this, but it’s still ten more books before I get to his entry. We’re not at Ian and Daniel Mackenzie levels of intrusion, but I’m glad I know for a fact that Nick disappears for a while.

We also get a heavy dose of Matthew, enjoying his marital bliss with Theresa, but other than that, there aren’t a lot of returning characters which makes this a unique book in a lot of ways. This is probably the first book since Gareth kicked off this strand of the timeline in which there aren’t three or more returning characters or future major leads.

The things I didn’t like about this book are a bit spoilery, so I’ll get into the details later, but they made the book drag a bit for me personally. Otherwise, it’s a well-written and constructed book that will probably work for like 80% of the world.

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Matthew by Grace Burrowes

Overall

I was very much looking forward to how Theresa Jennings’ story would play out once it became clear in Thomas just how ruptured her relationship with her brother was, particularly after Thomas ended with a little note that Theresa had a daughter, Priscilla, clearly born out of wedlock.

Children in romance novels often fall into two categories for me: they’re either useful to the narrative and necessary, or there just to be cute and push the couple together. (Governess romances are exempt from them since the entire premise predicates that there must be children). In my opinion, there are far too many books that fall into the latter category and I worried for a bit that Matthew would.

We met Matthew Belmont in Thomas, though he may or may not have been mentioned/shown up in Douglas. He’s a squire that serves as a magistrate near Linden, where Theresa Jennings has come to visit her brother after his wedding and a long estrangement. He has three nearly grown boys away at school whom he loves and misses a great deal. Theresa is very keen on repairing her relationship with Thomas so that he might look out for Priscilla and offer her more advantages as a baron’s niece rather than just her bastard daughter.

Matthew and Theresa bond almost immediately, and to his credit, Matthew never sees a reason Theresa can’t just stay in Linden with him as his wife or how Thomas could be such an unmitigated asshole to his only sister. Also, someone wants Matthew dead.

I really liked this book, but I have a few quibbles. I worried that Matthew was just too good and too understanding. He has a bit of a sad history that informs his kind and fair treatment of Theresa, but he’s just…taken in a lot of disappointment in his lifetime and I can’t decide if I want him to be more angry about it because I would be or if I think he’s just too nice.

Or maybe he became inured to his own injustices and seeing Theresa and learning her history helps him to come to some peace about what happened to him. I’m not sure, honestly, where I fall on this.

The supporting cast is good, if at sometimes overdone. I’m not really a fan of some of the cutaways to Oxford, Axel Belmont, and Matthew’s sons. Burrowes has a habit of splitting sex scenes to do that and it always breaks the momentum for me. Beckman and Nick are back, giving us a bit more history for them. We also meet Alice Portmaine, whose family we’ll end up getting to know a great deal in the Windham stories and later entries in the Lonely Lords.

This is a good book with a sweet romance, but at times, the character wavers a bit. I was mostly happy with the resolution of Theresa’s relationship with her brother, particularly since I mentioned in Thomas that was something I wanted to see happen.

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Project Duchess by Sabrina Jeffries

Overall

I always feel bad when I try to think of my favorite books by Sabrina Jeffries, and I literally can’t remember the title of any of them. Nor do any of her books really sit with me for long after I finish them. I actually really like Jeffries’ books, and she’s always been on pre-order status with me, but looking over her backlist, there’s really nothing that pops out of me.

That being said, I never regret buying her books and Project Duchess is no exception. It suffers a little from the heavy lifting any first book in a series does — it has to not only tell the current story but create the universe. Some books avoid this by simply not introducing all of the characters or elements right away, but as this series is about a family, it would be odd if we didn’t meet the majority of the family.

It’s a relatively rote, by-the-numbers romance. Two leads with trust issues and difficult memories of their childhood. A titled lord who is charmed by the heroine who is more hoyden than lady and doesn’t simper over him. Rambunctious siblings. There’s a murder mystery that looks as though it’s going to stretch across at least two or three of the books.

Fletcher Pryde, Duke of Greycourt, and more commonly known as Grey is the eldest son of a woman who managed to marry three times, all to men who either were dukes at the time or inherited a title. Her last husband was ambassador to Prussia, causing Grey to be separated from his family at the age of ten since his paternal uncle had guardianship over him because, you know, the patriarchy. He grows up, resenting his mother and stepfather for giving him up and there’s a rift in the family.

Beatrice Wolfe is the poor cousin of Grey’s youngest brother, the new Duke of Armitage, Sheridan. Sheridan suspects that his father and the previous duke were murdered and suspects Bea’s brother, Joshua, of the deed. Joshua returned from the war, injured and more worse for the wear. He enlists Grey’s help in getting to the bottom of it. Grey and Bea are thrown together because his mother is trying to distract herself by preparing her daughter, Gwyn, for her debut and wants to launch Bea at the same time.

It’s a solid book, and I’m not mad at any of it. The plot escalates well. There are misunderstandings and stolen kisses. The characters are interesting, but they feel like a hundred other characters I’ve read in a romance novel, as does the plot. You won’t regret spending a few hours with the book, but you probably won’t remember it in a week either.

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Thomas by Grace Burrowes

Overall

The more I reread this universe in chronological, the more respect I have for Grace Burrowes and her ability to create characters that may or may not play a larger role in their own books later. We leave the Lonely Lord series behind for a while for a series that Grace Burrowes entitled the Jaded Gentlemen.

In Thomas, we pick up the story of David’s man of business, Thomas Jennings, who apparently became Baron Sutcliffe when David wasn’t looking. Thomas leaves David’s service and takes up the mantle of baron at some point after David and Letty marry, then purchases the estate that Andrew, Lord Greymoor, was thinking of selling to Douglas, Lord Amery.

We’ve also already met Loris Tanner, the heroine, in Douglas, as the daughter of Linden’s steward who ran off without a word two years previous, worried of being accused of forcing himself on a woman. In his absence, Loris has been trying to unofficially carry on her father’s duties, preserving her father’s place in hopes he might return. In Douglas, he advised Andrew of Loris’s situation, and she became the steward in truth.

Thomas purchases the estate, comes to Linden and meets Loris. They fall in love even as she worries over her father’s continued absence, her lack of security in the world, and her problems exerting her authority over the stables. Thomas relies on Loris to get the estate back into order and offers to show her how to get along better as a lady so that she might have a few more options if her father never returns and a future owner turns her away.

There’s also someone making trouble on the Linden estate, so there’s a small mystery that doesn’t drive the plot, merely gives our leads something to do while Thomas tries to convince Loris to take a chance on him. The supporting cast is also a good one and, like Douglas, does a lot to set Grace Burrowes up for at least six or seven more books.

David, Lord Fairly, returns for his fifth straight appearance as the hero’s confidante and friend. I remember reading Jennifer Ashley’s Mackenzie & McBride series and being supremely annoyed every time a Mackenzie brother showed because they never felt like they narratively served the plot. They were there because the author loved them, not because the characters did.

That’s a big difference in Burrowes’ regency universe where what holds these characters together is not merely their family connections but their genuine affection. David grew up without a large family, so it makes sense when he frets about his sisters, Felicity and Astrid, and their husbands, Gareth and Andrew, or Douglas and Thomas. When Letty suggests David visit Thomas to see how he’s going on at Linden, it feels earned and right.

We also meet the Haddonfield brothers, Nick and Beckman, who will also head their own books in the Lonely Lords series. Nick refers later to his sisters, most of whom will be heroines in subsequent series. Nick gets more to do here than Beckman, but I find myself liking both brothers and looking forward to reading their books soon. We’re also introduced to Matthew Belmont whose brother shows up in The Virtuoso.

Sometimes you can see that Burrowes is playing around with the extra characters in her books, just to see if something might tug enough to inspire her to write their story. The extraneous scenes might annoy me (and if I recall correctly, they eventually do) but here, early on, the characters feel useful and interesting. I want to read more about Matthew, Nick, and Beckman, based on their presence here.

This is honestly the best book in the universe thus far, with the best characterization and plot development as well as my favorite romance.

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David: Lord of Honor by Grace Burrowes

Overall

After three books of David Worthington weaving in and out of the lives of our heroes and heroines, it’s time for his story though, to be honest, we don’t really learn anything more about him than we’ve already learned in Gareth, Andrew, and Douglas. He grew up with modest means with an aunt, not with his mother. He was the legitimate heir to his father’s title and estate, but kept mum to protect his father’s second marriage and the daughters of that union, Felicity and Astrid. We also already knew he’d had medical training and had been married before.

In David, we learn his marriage was unhappy (nearly all first marriages in a romance novel are) and that he loved his daughter, who died shortly after birth. He took over the brothel that Felicity inherited in Gareth and has been running it since. His man of business, Thomas Jennings, tells him that his brother-in-law’s former mistress, Letty Banks, seems to be unwell, and encourages David to check in on her. He discovers that, despite money left to her by Herbert Allen, she’s living in a nearly impoverished state. He asks her to come work at the brothel as a madam.

I quite like Letty, but I’m not entirely sure about David. He carries himself as someone who respects women but he’s one of those guys who just carries around his male privilege without being aware with it. Letty has to call him out on being a dick several times and I’m not sure that David ever really gets it. But he’s not perfect, and there’s something to be said for that.

There’s the usual cast of supporting characters, including a lot of Douglas from the previous book. One of my pet peeves in reading series that, occasionally, an author shoves in previous characters without much narrative purpose (see: Jennifer Ashley & the Mackenzie series) but Burrowes does a really good job of showing us the friendship between these characters. David has built a family that he relies on heavily and having read Douglas, I buy the deep affection he and Douglas have for one another.

There’s also a lot of the Windhams here — Valentine plays a large supporting role that I’m not entirely sure is earned. He and Letty appear to be friendly (to the point Valentine seems a bit in love with her) but a lot of it happens off page so it makes some of the confidences Letty and David share with Val later seem a bit unrealistic. We’re also introduced to Daniel, Letty’s brother, and to Ellen FitzEngle, who will be appearing later. I’d quite forgotten that Val’s book had a back story that began here, so it’s going to be a lot of fun to revisit Little Weldon in The Virtuoso.

It’s a good book but I think it suffers just a bit from being overstuffed with extra characters and little plot. David and Letty only have one obstacle — she refuses to marry him and honestly, we’re kept out of her reasoning for far too long. But it’s not a bad read.

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Douglas: Lord of Heartache by Grace Burrowes

Overall

When I read this book back in 2014, I was relieved because finally, here was the backstory heavily alluded to in The Heir. The Heir is one of my favorite Burrowes books, and I’m really excited to get to it in this reread because I’m finally reading everything in chronological order which means the Douglas and Gwen scenes as well as Westhaven’s relationship with his family, particularly his father, is going to be that much more rich and nuanced.

Getting that out of the way, I can’t decide if I like this book. It’s a really good read right up until the end where things get…weird. We met Gwen and Douglas in the previous entry, Andrew. Gwen is the unmarried cousin of Andrew and Gareth Alexander who was apparently able to hide her illegitimate daughter, Rose, from the rest of her family for four years. Douglas is the survivor of the Allen family in Andrew, middle son sandwiched between shitty Herbert and crazy murderer Henry. Douglas is trying to get himself back together after the events of that book and asks Gwen for assistance with an estate purchase since she has made her own estate relatively profitable.

Douglas is a beta hero—with the exception of one scene that I’m not really all that fond of at the end—who doesn’t really take over the story or push Gwen (even when maybe he should). He’s also in the midst of a low-grade depression, thinking that he doesn’t deserve Gwen or really anything nice. Normally this kind of wallowing drives me nuts, but it’s been maybe a year or so since he learned that his youngest brother murdered their elder brother and father, and the elder brother was a giant asshole who stole from his wife’s widow’s portion and beggared the family. He doesn’t feel that awesome about his DNA and it’s hard to blame him.

Gwen is a bit more difficult to pin down — in the previous book as well as for a lot of this book, the men in her family (Andrew, Gareth and their brother-in-law and future hero, David) assume that her reticence to bring Rose or herself into the world means she must have been raped. No one asks her because it’s just not the thing to do at this point. Even Douglas assumes this. I think it’s important to remind myself that Gwen literally never says this to any of them at any point because it helps me kind of understand some of the things that happen later. She never tells any of them outright exactly what happened or tells them it was rape.

For the most part, my feelings about this book is that it’s a lot like the last two books — it has a relatively sweet and believable romance, but the other part of the plot is less great. I mean, it’s serviceable and does what it needs to do. In many ways, this book is doing a lot of heavy lifting. Not only are we preparing for David to get his own book (after appearing in all three books thus far), but it also introduces Loris Tanner, who will come back as a heroine in another series entirely, and introduces the Windham family with whom we will spend about eight or nine books with. Considering everything this book does for the universe, it’s actually pretty good.

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Gareth: Lord of Rakes by Grace Burrowes

Overall

I started this book a week ago and found myself remembering exactly why I’ve only read this book all the way through exactly once. I was never all that fond of the premise, and the beginning of the book is excruciatingly slow. But I decided to persevere to get into the rest of the series and get this universe reread off the ground.

Felicity Worthington is the daughter of a viscount who died and didn’t make any arrangements for either Felicity or her younger sister, Astrid. A cousin leaves Felicity her brothel with specific instructions as to how she’ll inherit the business and property—allowing Gareth Alexander, the notorious Marquess of Alexander, to tutor her in the ways of the business which will include a written and possible physical examination to ensure the loss of her virginity.

Yeah, it’s kind of a weird premise and according to her official site, this book is Grace Burrowes’ first foray in romance writing. This makes sense. There’s not much of a plot for the first fifty pages which does make this book excruciating to get into, and I nearly abandoned it myself despite having already finished it once.

But then it gets going, and the romance is a bit sweet even if Gareth’s tragic backstory doesn’t quite measure up to what we think it will. There’s a nice cast of supporting characters, particularly Andrew and Astrid, whom we’ll see in the next book.

What makes this book enjoyable is the emotional vulnerability and honesty these characters possess by about 75% of the way through the book. I like a conflict where the thing that prevents the characters from being together is something internal to them—something they believe to be true about themselves or their situation that is incompatible for the Happily Ever After.

It’s a slow, and at times, painful read, but the seeds of what I love about Grace Burrowes are present by the end of the book and they show up full force in the second one. It’s worth reading and not giving up after the beginning.

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The Duke and His Duchess – Grace Burrowes

Overall

One of my absolutely favorite tropes to read is a couple who is already married and working towards their happily ever after. I know there are some readers and reviewers out there who think a marriage before the end of the book somehow ruins the tension of the book, but I’ve never seen it that way. We’re in the historical romance genre, and if your characters are heterosexual, there’s like a 99.88% chance they’ll get married, so why does it matter when it happens?

I mentioned in the review for The Courtship that the biggest aspect of the Percy/Esther relationship I was eager to read more about was the manner in which Percy’s illegitimate children came to live with the household and was raised as one of the Windham children. The Duke and His Duchess purports to tell that story.

I like this novella a lot less than the first one mostly because I feel like this is the wrong space to tell the story Grace Burrowes had in mind. She not only wants to address the presence of Devon and Maggie, but also a larger problem within the Windham marriage as Percy and Esther await the inevitable death of not only his father, but his perpetually ill elder brother. There’s a dark cloud over everyone in this book, but Burrowes wasn’t interested in this part of the story or doing anything with the world she set up back at Morelands.

I found myself frustrated with Percy and Esther for a few reasons I’ll get into in the spoilers section, but there was just too much plot for so little space and none of the stories were told with the capability I expect from Grace Burrowes. But this novella does what it sets out to do and explains why Devon and Maggie have been raised as part of the legitimate household. It’s fine, but honestly, you probably don’t need to read it more than once.

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The Courtship by Grace Burrowes

Overall

Novellas are rarely my cup of tea. I’m not a huge fan of the short romances because, ninety percent of the time, the author not only writes the romance but also tries to fit in a subplot with a mystery or an external villain trying to play as an antagonist. That’s a lot to ask of a shorter story, particularly if the two leads have not yet met. Something always gets short-changed.

In this case, I also remember that I didn’t read The Courtship when it was released because I simply wasn’t overly interested in the relationship between Percy and Esther, the parents of the eight Windham siblings. Then, Grace Burrowes released The Duke and His Duchess which sought to provide back story as to how Their Graces came to raise Percy’s two illegitimate children alongside their legitimate ones. I wanted to read that story, so I kind of felt obligated to read the first novella. I’m glad I did.

Percival Windham, the spare to the Moreland duchy, has been dispatched to a house party along with his younger brother, Anthony, in order to secure a bride. Their mother is worried that their ill elder brother, the heir, will die from a lingering illness without siring a son, leaving the duchy’s future in doubt. Once there, Percy meets Esther Himmelfarb, no-nonsense spinster who does not expect to marry due to her lineage and lack of dowry.

I’m glad I read it in 2014 and even happier to find on my reread that I like it as much I did the first time. Burrowes eschews a larger external narrative, preferring to make Esther and Percy’s romance the entire focus. We have some minor deviations in switching to the POV of either Percy’s father or Sir Jasper, the rake who tries to importune Esther, but overall this is a very good attempt to flesh out the supporting characters of Percy and Esther. Percy in particular benefits from this deeper look into his past as he has, at times, played the antagonist in his children’s books, so I appreciate getting to know him more outside the POV of his children.

This is a really sweet story and a good introduction to the world that Burrowes begins with the stories that not only unfold with the Windham children but the larger world of family and friends.

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